{"id":15793,"date":"2016-12-13T13:59:17","date_gmt":"2016-12-13T15:59:17","guid":{"rendered":"http:\/\/www.select.art.br\/?p=15793"},"modified":"2022-12-09T00:06:03","modified_gmt":"2022-12-09T03:06:03","slug":"bienal-em-balanco","status":"publish","type":"post","link":"https:\/\/select.art.br\/bienal-em-balanco\/","title":{"rendered":"Bienal em balan\u00e7o"},"content":{"rendered":"<p>Jochen Volz, Gabi Ngcobo, J\u00falia Rebou\u00e7as, Lars Bang Larsen e Sof\u00eda Olascoaga, curadores da 32\u00aa Bienal de S\u00e3o Paulo, t\u00eam muitos motivos para comemorar. Encerrada no domingo passado (11\/12), a mostra alcan\u00e7ou expectativas de p\u00fablico, contabilizando cerca de 900 mil visitantes ao longo dos quatro meses de exibi\u00e7\u00e3o, m\u00e9dia que n\u00e3o era superada desde sua 26\u00aa edi\u00e7\u00e3o, produzida em 2004. Apropriando-se da &#8220;incerteza&#8221; como tema e n\u00facleo curatorial, a exposi\u00e7\u00e3o procurou assumir a instabilidade como elemento propulsor da cria\u00e7\u00e3o art\u00edstica. Seu diferencial foi a sele\u00e7\u00e3o de obras de tom propositivo, ao inv\u00e9s de procurar respostas sobre os conflitos e descaminhos da sociedade, deixando evidente que a arte \u00e9 uma forma de resist\u00eancia.<\/p>\n<figure id=\"attachment_15802\" aria-describedby=\"caption-attachment-15802\" style=\"width: 411px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-15802\" src=\"https:\/\/www.select.art.br\/wp-content\/uploads\/2016\/12\/fbsp_33799_32bsp_160907_ib_053-300x200.jpg\" alt=\"32\u00aa Bienal de S\u00e3o Paulo (Foto: Ilana Bar\/Est\u00fadio Garagem\/ Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo)\" width=\"411\" height=\"274\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2016\/12\/fbsp_33799_32bsp_160907_ib_053-300x200.jpg 300w, https:\/\/select.art.br\/wp-content\/uploads\/2016\/12\/fbsp_33799_32bsp_160907_ib_053-1024x684.jpg 1024w, https:\/\/select.art.br\/wp-content\/uploads\/2016\/12\/fbsp_33799_32bsp_160907_ib_053-600x401.jpg 600w, https:\/\/select.art.br\/wp-content\/uploads\/2016\/12\/fbsp_33799_32bsp_160907_ib_053-768x513.jpg 768w, https:\/\/select.art.br\/wp-content\/uploads\/2016\/12\/fbsp_33799_32bsp_160907_ib_053.jpg 1200w\" sizes=\"(max-width: 411px) 100vw, 411px\" \/><figcaption id=\"caption-attachment-15802\" class=\"wp-caption-text\">32\u00aa Bienal de S\u00e3o Paulo (Foto: Ilana Bar\/Est\u00fadio Garagem\/ Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo)<\/figcaption><\/figure>\n<p>\u201cAs reflex\u00f5es e discuss\u00f5es advindas do contato com as obras e com os artistas s\u00e3o de valor inestim\u00e1vel. A partir dessas experi\u00eancias, podemos imaginar outros caminhos para o futuro. Ficou evidente na Bienal a import\u00e2ncia da cultura e da educa\u00e7\u00e3o na sociedade. Sou muito grato pela visita\u00e7\u00e3o e pela participa\u00e7\u00e3o do p\u00fablico\u201d, comentou Jochen Volz. \u201cO interesse do p\u00fablico confirma que a Bienal adota o caminho certo ao tornar-se uma plataforma de pesquisa, experimenta\u00e7\u00e3o e debate art\u00edstico, investindo cada vez mais no comissionamento de obras e no fomento da produ\u00e7\u00e3o contempor\u00e2nea\u201d, afirma Lu\u00eds Terepins, atual presidente da Funda\u00e7\u00e3o Bienal.<\/p>\n<p><strong>N\u00fameros<br \/>\n<\/strong>Concebida ao longo de 23 meses, desde 2015, a 32\u00aa Bienal foi uma das edi\u00e7\u00f5es que mais contou com projetos comissionados, em m\u00e9dia 70% do total de obras. Ao todo, cerca de 300 trabalhos foram apresentados por 81 artistas, grupos e coletivos de 33 pa\u00edses. Conforme Volz, esse era um desejo que norteou todas as atividades da equipe, abrindo possibilidade para artista e curador trabalharem de forma mais pr\u00f3xima.<\/p>\n<p>Outro diferencial foi o extenso n\u00famero de programa\u00e7\u00f5es paralelas. Algumas das obras, como a Oficina de Imagina\u00e7\u00e3o Pol\u00edtica, de Amilcar Packer; ou at\u00e9 mesmo os Transn\u00f4mades, do coletivo OPAVIVAR\u00c1!, necessitaram da ativa\u00e7\u00e3o do p\u00fablico e contaram com uma agenda que se locomoveu para fora do pavilh\u00e3o de Niemeyer. Foram, ao todo, 150 atividades realizadas pela mostra, entre shows, visitas especiais, oficinas, semin\u00e1rios, debates, performances e palestras.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mostra contabilizou cerca de 900 mil visitantes ao longo dos quatro meses de exibi\u00e7\u00e3o<\/p>\n","protected":false},"author":15,"featured_media":15801,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[12923,12924,12946],"tags":[1472,1919,4481,5163,6523,6709,6954,10111,11335,262],"autor":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bienal em balan\u00e7o - Revista seLecT_ceLesTe<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/select.art.br\/bienal-em-balanco\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bienal em balan\u00e7o - 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