{"id":27522,"date":"2019-04-05T12:49:21","date_gmt":"2019-04-05T15:49:21","guid":{"rendered":"https:\/\/www.select.art.br\/?p=27522"},"modified":"2022-12-09T00:08:07","modified_gmt":"2022-12-09T03:08:07","slug":"sp-arte2019selected","status":"publish","type":"post","link":"https:\/\/select.art.br\/sp-arte2019selected\/","title":{"rendered":"SP-Arte 2019 seLecTed"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Est\u00e1 aberta para o p\u00fablico at\u00e9 domingo (7\/4) a 15<\/span><span style=\"font-weight: 400\">\u00aa<\/span><span style=\"font-weight: 400\"> edi\u00e7\u00e3o da SP-Arte, a maior feira de arte da Am\u00e9rica Latina. O evento conta com mais de 121 galerias, desde consagradas como a inglesa David Zwirner e as paulistanas Vermelho, Fortes D&#8217;Aloia &amp; Gabriel ou Luisa Strina, at\u00e9 estreantes na feira como a francesa Bendana Pinel, a chilena <\/span><span style=\"font-weight: 400\">Die Ecke Arte Contempora\u0301neo e a espanhola Espaivisor.<\/span><\/p>\n<p><span style=\"font-weight: 400\">O evento promove pr\u00eamios, cujos ganhadores foram rec\u00e9m anunciados. Paul Set\u00fabal (Andrea Rehder Arte Contempor\u00e2nea) ganhou o 7\u00ba Pr\u00eamio de Resid\u00eancia SP-Arte, para uma estadia de tr\u00eas meses na Delfina Foundation, em Londres, uma das principais organiza\u00e7\u00f5es voltadas para resid\u00eancia art\u00edstica no mundo. Marcelo Moscheta (Vermelho) recebeu o Pr\u00eamio de Arte Marcos Amaro, que incluiu uma bolsa de R$50 mil e o comissionamento de um projeto in\u00e9dito de at\u00e9 R$ 45 mil, a ser exposto na F\u00e1brica de Arte Marcos Amaro (Itu, S\u00e3o Paulo), em 2020, paralelamente \u00e0 16\u00aa edi\u00e7\u00e3o da SP-Arte. O Pr\u00eamio Aquisi\u00e7\u00e3o SP-Arte foi para Cristiano Lenhardt (Fortes D\u2019Aloia &amp; Gabriel), com a performance Atoritoleituralogosh (2019), selecionada pela equipe curatorial da Pinacoteca do Estado e incorporada ao acervo do museu.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">A reda\u00e7\u00e3o da seLecT escolheu alguns destaques da feira, que incluem artistas de diversos pa\u00edses, est\u00e1gios de carreira e gera\u00e7\u00f5es. Veja abaixo:<\/span><\/p>\n<figure id=\"attachment_27556\" aria-describedby=\"caption-attachment-27556\" style=\"width: 4032px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27556\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4081.jpg\" alt=\"\" width=\"4032\" height=\"3024\" \/><figcaption id=\"caption-attachment-27556\" class=\"wp-caption-text\">Cinco Coment\u00e1rios Ternos Sobre o Jap\u00e3o ou Obrigada Jap\u00e3o (1965), no estande da Galeria Almeida e Dale<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27559\" aria-describedby=\"caption-attachment-27559\" style=\"width: 4032px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27559\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4096.jpg\" alt=\"\" width=\"4032\" height=\"3024\" \/><figcaption id=\"caption-attachment-27559\" class=\"wp-caption-text\">Jos\u00e9 Damasceno no estande da Carbono Galeria<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<div id='gallery-1' class='gallery galleryid-27522 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/select.art.br\/sp-arte2019selected\/img_4101-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4101-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-27563\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4101-1-150x150.jpg 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4101-1-scaled-450x450.jpg 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4101-1-scaled-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-27563'>\n\t\t\t\tTrabalhos de Glenda Le\u00f3n no estande da Carbono Galeria\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/select.art.br\/sp-arte2019selected\/img_4100-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4100-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-27562\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4100-1-150x150.jpg 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4100-1-scaled-450x450.jpg 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4100-1-scaled-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-27562'>\n\t\t\t\tTrabalhos de Glenda Le\u00f3n no estande da Carbono Galeria\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<figure id=\"attachment_27561\" aria-describedby=\"caption-attachment-27561\" style=\"width: 2724px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27561 size-full\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4093-copy-e1554495361362.jpg\" alt=\"\" width=\"2724\" height=\"2734\" \/><figcaption id=\"caption-attachment-27561\" class=\"wp-caption-text\">Sem T\u00edtulo [Retrato de Mulher], pintura de Di Cavalcanti dos anos 1920 no estande da Bergamin &amp; Gomide<\/figcaption><\/figure>\n<figure id=\"attachment_27566\" aria-describedby=\"caption-attachment-27566\" style=\"width: 984px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27566\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/5046fc2e-e506-485d-89a8-9c8fbb4b26c9.jpg\" alt=\"\" width=\"984\" height=\"984\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/5046fc2e-e506-485d-89a8-9c8fbb4b26c9.jpg 984w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/5046fc2e-e506-485d-89a8-9c8fbb4b26c9-300x300.jpg 300w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/5046fc2e-e506-485d-89a8-9c8fbb4b26c9-450x450.jpg 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/5046fc2e-e506-485d-89a8-9c8fbb4b26c9-100x100.jpg 100w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/5046fc2e-e506-485d-89a8-9c8fbb4b26c9-600x600.jpg 600w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/5046fc2e-e506-485d-89a8-9c8fbb4b26c9-150x150.jpg 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/5046fc2e-e506-485d-89a8-9c8fbb4b26c9-768x768.jpg 768w\" sizes=\"(max-width: 984px) 100vw, 984px\" \/><figcaption id=\"caption-attachment-27566\" class=\"wp-caption-text\">Trabalho de Bruno Faria no estande da galeria Marilia Razuk<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27523\" aria-describedby=\"caption-attachment-27523\" style=\"width: 881px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27523\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/jm-4800-880x587-1.jpg\" alt=\"\" width=\"881\" height=\"587\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/jm-4800-880x587-1.jpg 881w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/jm-4800-880x587-1-300x200.jpg 300w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/jm-4800-880x587-1-600x400.jpg 600w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/jm-4800-880x587-1-768x512.jpg 768w\" sizes=\"(max-width: 881px) 100vw, 881px\" \/><figcaption id=\"caption-attachment-27523\" class=\"wp-caption-text\">Atoritoleituralogosh (2019), de Cristiano Lenhardt pela Fortes D&#8217;Aloia &amp; Gabriel (Foto: Reprodu\u00e7\u00e3o)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27544\" aria-describedby=\"caption-attachment-27544\" style=\"width: 4032px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27544\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4106.jpg\" alt=\"\" width=\"4032\" height=\"3024\" \/><figcaption id=\"caption-attachment-27544\" class=\"wp-caption-text\">Bandeirantes (2018), de Rafael Pagatini no estande da O\u00c1 Galeria, no setor Solo, que tem curadoria da chilena Alexia Tala<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27529\" aria-describedby=\"caption-attachment-27529\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27529\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_3988.jpg\" alt=\"\" width=\"3024\" height=\"3024\" \/><figcaption id=\"caption-attachment-27529\" class=\"wp-caption-text\">SCAM (2019), de Ignacio Gatica no estande da galeria Casanova<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27524\" aria-describedby=\"caption-attachment-27524\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27524\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_3969-e1554476001768.jpg\" alt=\"\" width=\"3024\" height=\"3024\" \/><figcaption id=\"caption-attachment-27524\" class=\"wp-caption-text\">Os \u00daltimos Dias De Paup\u00e9ria\/ Artistas, Torturem A Ditadura (2018), de Fabio Morais no estande da Ikrek Edi\u00e7\u00f5es<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27567\" aria-describedby=\"caption-attachment-27567\" style=\"width: 4032px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27567\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4109-1.jpg\" alt=\"\" width=\"4032\" height=\"3024\" \/><figcaption id=\"caption-attachment-27567\" class=\"wp-caption-text\">Construtivismo Musical (2011), de Nelson Leirner, no estande da Galeria Silvia Cintra + Box 4<\/figcaption><\/figure>\n<figure id=\"attachment_27568\" aria-describedby=\"caption-attachment-27568\" style=\"width: 4032px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27568\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4110.jpg\" alt=\"\" width=\"4032\" height=\"3024\" \/><figcaption id=\"caption-attachment-27568\" class=\"wp-caption-text\">Trabalho de Falves Silva no estande da Roberto Alban Galeria de Arte<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27525\" aria-describedby=\"caption-attachment-27525\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27525\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4020.jpg\" alt=\"\" width=\"3024\" height=\"3024\" \/><figcaption id=\"caption-attachment-27525\" class=\"wp-caption-text\">Renata Lucas no estande da alem\u00e3 Neugerriemschneider<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27526\" aria-describedby=\"caption-attachment-27526\" style=\"width: 4032px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27526\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4109.jpg\" alt=\"\" width=\"4032\" height=\"3024\" \/><figcaption id=\"caption-attachment-27526\" class=\"wp-caption-text\">Trabalhos da s\u00e9rie Tup\u00e1c-Amaru-1971 (2019), de Fernando Bryce no estande da espanhola Espaivisor, no setor Solo, que tem curadoria da chilena Alexia Tala<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27527\" aria-describedby=\"caption-attachment-27527\" style=\"width: 2986px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27527 size-full\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4016-e1554478203826.jpg\" alt=\"\" width=\"2986\" height=\"2328\" \/><figcaption id=\"caption-attachment-27527\" class=\"wp-caption-text\">Sem T\u00edtulo (2019), de Thiago Rocha Pitta no estande da Galeria Millan<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27528\" aria-describedby=\"caption-attachment-27528\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27528 size-full\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_3983-e1554476195774.jpg\" alt=\"\" width=\"3024\" height=\"3024\" \/><figcaption id=\"caption-attachment-27528\" class=\"wp-caption-text\">Xevi Sol\u00e1 no estande da Inox Galeria<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27530\" aria-describedby=\"caption-attachment-27530\" style=\"width: 4032px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27530\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_3972.jpg\" alt=\"\" width=\"4032\" height=\"3024\" \/><figcaption id=\"caption-attachment-27530\" class=\"wp-caption-text\">Hibrida, Cocae Bifurcatum (2018), de Camila Rocha no estande da Emmathomas Galeria<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27531\" aria-describedby=\"caption-attachment-27531\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27531\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4017-e1554476529650.jpg\" alt=\"\" width=\"3024\" height=\"3024\" \/><figcaption id=\"caption-attachment-27531\" class=\"wp-caption-text\">Jos\u00e9 Resende no estande da Galeria Millan<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27532\" aria-describedby=\"caption-attachment-27532\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27532\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_3997-e1554476589243.jpg\" alt=\"\" width=\"3024\" height=\"4032\" \/><figcaption id=\"caption-attachment-27532\" class=\"wp-caption-text\">La Reina Del Salch, (2007), de Sandra V\u00e1squez de la Horra no estande da francesa Bendana Pinel, estreante na feira<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27533\" aria-describedby=\"caption-attachment-27533\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27533\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4019-e1554476659545.jpg\" alt=\"\" width=\"3024\" height=\"3024\" \/><figcaption id=\"caption-attachment-27533\" class=\"wp-caption-text\">Rirkrit Tiravanija no estande da alem\u00e3 Neugerriemschneider<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27534\" aria-describedby=\"caption-attachment-27534\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27534\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4034-e1554476782857.jpg\" alt=\"\" width=\"3024\" height=\"3024\" \/><figcaption id=\"caption-attachment-27534\" class=\"wp-caption-text\">Rubens Gerchman no estande da Galeria Superf\u00edcie, no setor Masters, que tem curadoria de Tiago Mesquita<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27536\" aria-describedby=\"caption-attachment-27536\" style=\"width: 4032px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27536\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4053.jpg\" alt=\"\" width=\"4032\" height=\"3024\" \/><figcaption id=\"caption-attachment-27536\" class=\"wp-caption-text\">A Logo For America (Miami Beach) (2018), de Alfredo Jaar no estande da Galeria Luisa Strina<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27537\" aria-describedby=\"caption-attachment-27537\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27537\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4069.jpg\" alt=\"\" width=\"3024\" height=\"4032\" \/><figcaption id=\"caption-attachment-27537\" class=\"wp-caption-text\">Mirage (1970) Antonio Dias no estande da Danielian Galeria<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27538\" aria-describedby=\"caption-attachment-27538\" style=\"width: 4032px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27538\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4057.jpg\" alt=\"\" width=\"4032\" height=\"3024\" \/><figcaption id=\"caption-attachment-27538\" class=\"wp-caption-text\">Sem t\u00edtulo (2018), de Regina Gim\u00e9nez, no estande da Mul.ti.plo Espa\u00e7o Arte<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27553\" aria-describedby=\"caption-attachment-27553\" style=\"width: 2769px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27553\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/flavio.jpg\" alt=\"\" width=\"2769\" height=\"3387\" \/><figcaption id=\"caption-attachment-27553\" class=\"wp-caption-text\">Sem t\u00edtulo (1956), de Fl\u00e1vio de Carvalho, no estande da Galeria Almeida e Dale<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_27543\" aria-describedby=\"caption-attachment-27543\" style=\"width: 3024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27543\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4101.jpg\" alt=\"\" width=\"3024\" height=\"4032\" \/><figcaption id=\"caption-attachment-27543\" class=\"wp-caption-text\">O estande da Galeria Murilo Castro, inteiramente com obras de Anna Bella Geiger<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<div id='gallery-2' class='gallery galleryid-27522 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/select.art.br\/sp-arte2019selected\/img_4093\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4093-e1554477090238-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-27540\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4093-e1554477090238-150x150.jpg 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4093-e1554477090238-scaled-450x450.jpg 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4093-e1554477090238-scaled-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-27540'>\n\t\t\t\tPinturas de Lorenzato no estande da Manoel Macedo\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/select.art.br\/sp-arte2019selected\/img_4094\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4094-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-27541\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4094-150x150.jpg 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4094-scaled-450x450.jpg 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/04\/img_4094-scaled-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-27541'>\n\t\t\t\tPinturas de Lorenzato no estande da Manoel Macedo\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Sele\u00e7\u00e3o da reda\u00e7\u00e3o dos destaques e novidades da 15\u00aa edi\u00e7\u00e3o da SP-Arte, que acontece at\u00e9 7\/4 no Pavilh\u00e3o da Bienal<\/p>\n","protected":false},"author":6,"featured_media":27545,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[12923,12924,12985,12922],"tags":[5994,12449,7625,9454,10220,10352,1071,10602,1133,10791,2250,10893,3258,11347,4555,11406,4870,11757],"autor":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SP-Arte 2019 seLecTed - Revista seLecT_ceLesTe<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/select.art.br\/sp-arte2019selected\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta 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