{"id":28624,"date":"2019-07-10T11:17:53","date_gmt":"2019-07-10T14:17:53","guid":{"rendered":"https:\/\/www.select.art.br\/?p=28624"},"modified":"2022-12-09T00:08:20","modified_gmt":"2022-12-09T03:08:20","slug":"opavivara-viva-o-hedonismo-carioca","status":"publish","type":"post","link":"https:\/\/select.art.br\/opavivara-viva-o-hedonismo-carioca\/","title":{"rendered":"OPAVIVAR\u00c1! Viva o hedonismo carioca"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">Sempre em letras mai\u00fasculas e com ponto de <\/span><span class=\"s2\">exclama\u00e7\u00e3o. \u00c9 assim que o coletivo de artistas OPAVIVAR\u00c1!, do Rio de Janeiro, escreve seu nome<\/span><span class=\"s3\">. <\/span><span class=\"s4\">Criado em 2005, o grupo j\u00e1 passou por v\u00e1rias forma\u00e7\u00f5es, entre tr\u00eas e sete integrantes. Atualmente s\u00e3o quatro, mas frequentemente s\u00e3o mais, contando os agregados, os parceiros, os colaboradores, as chamadas \u201cfam\u00edlias expandidas\u201d e todos os presentes nas situa\u00e7\u00f5es que eles prop\u00f5em para fazer o trabalho acontecer.<\/span><\/p>\n<p class=\"p1\"><span class=\"s4\">Em nome da import\u00e2ncia da voz coletiva, eles evitam identificar-se individualmente, principalmente se for para publica\u00e7\u00e3o. Ao vivo, em cores, n\u00e3o se escondem das c\u00e2meras e, se algu\u00e9m perguntar o nome de cada um deles, vai obter a resposta. \u201cA ideia \u00e9 diluir a import\u00e2ncia da autoria individual e ressaltar a do coletivo, curtir a confus\u00e3o de ter gente que acha que somos 20 integrantes. A audi\u00eancia \u00e9 convidada a sair de seu papel contemplativo e se tornar ativa e parte integrante da obra, dissolu\u00e7\u00e3o total entre artista e espectador\u201d, escreveram \u00e0 <b>seLecT<\/b>. A entrevista foi feita por <i>e-mail<\/i> em mar\u00e7o, m\u00eas em que montaram SOLAROCA, uma grande oca feita com guarda-s\u00f3is coloridos na \u00e1rea externa da Art Dubai, nos Emirados \u00c1rabes.<\/span><\/p>\n<p class=\"p1\"><span class=\"s5\">A instala\u00e7\u00e3o recebeu tamb\u00e9m as famosas cadeiras de praia triplas criadas pelo coletivo. \u201cA forma redonda e circular faz uma refer\u00eancia \u00e0s ocas ind\u00edgenas brasileiras e \u00e0s tendas tuaregues. As cadeiras convidam ao encontro e a um tempo desacelerado. O som do vento nos guarda-s\u00f3is traz um pouco do ambiente das praias cariocas e as cores no espectro do arco-\u00edris n\u00e3o est\u00e3o a\u00ed \u00e0 toa\u201d, comentam.<\/span><\/p>\n<p class=\"p2\"><span class=\"s4\">Dar nomes expressivos \u00e0s obras relacionais faz parte da tradi\u00e7\u00e3o do coletivo. BRASA ILHA (2018) \u00e9 uma velha perua Bras\u00edlia que fica estacionada com um forno ou uma grelha a carv\u00e3o ligados, assando comida e servindo para quem passar: \u201cUma brasa ilha flutuante n\u00f4made ambulante de aquecimento social\u201d, como dizem. SELF-SERVICE PAJ\u00c9 (2011) \u00e9 um <i>display<\/i> com 60 ervas medicinais e card\u00e1pio-bula, que o p\u00fablico pode manipular, preparar seus ch\u00e1s e ingerir para o prazer ou a cura.<br \/>\n<\/span><span class=\"s3\">NAMOITA (2006) \u00e9 um lugar criado num espa\u00e7o p\u00fablico, parcialmente escondido atr\u00e1s de plantas, para servir de antipalco e antibunker, \u201cespa\u00e7o intermedi\u00e1rio e provis\u00f3rio entre p\u00fablico e privado, o \u00edntimo e o coletivo\u201d.<\/span><\/p>\n<div id='gallery-1' class='gallery galleryid-28624 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/select.art.br\/opavivara-viva-o-hedonismo-carioca\/screen-shot-2019-07-10-at-10-52-27\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-52-27-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-28645\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-52-27-150x150.png 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-52-27-450x450.png 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-52-27-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-28645'>\n\t\t\t\tBRASA ILHA (2018), do OPAVIVAR\u00c1!, no Largo da Batata, em S\u00e3o Paulo, durante exibi\u00e7\u00e3o da mostra URBE (Foto: Cortesia dos Artistas)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/select.art.br\/opavivara-viva-o-hedonismo-carioca\/screen-shot-2019-07-10-at-10-51-50\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-50-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-28640\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-50-150x150.png 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-50-450x450.png 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-50-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-28640'>\n\t\t\t\tTRANSN\u00d4MADES (2016), do OPAVIVAR\u00c1! (Foto: Cortesia dos Artistas)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/select.art.br\/opavivara-viva-o-hedonismo-carioca\/screen-shot-2019-07-10-at-10-57-29\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-57-29-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-28648\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-57-29-150x150.png 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-57-29-450x450.png 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-57-29-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-28648'>\n\t\t\t\tCHUVAVER\u00c3O (2014), do OPAVIVAR\u00c1! (Foto: Cortesia dos Artistas)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<figure id=\"attachment_28647\" aria-describedby=\"caption-attachment-28647\" style=\"width: 376px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-28647\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-53-02.png\" alt=\"\" width=\"376\" height=\"566\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-53-02.png 545w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-53-02-199x300.png 199w\" sizes=\"(max-width: 376px) 100vw, 376px\" \/><figcaption id=\"caption-attachment-28647\" class=\"wp-caption-text\">O tr\u00edptico Liquidificamor (2019) do OPAVIVAR\u00c1! na<br \/>individual PORNORAMA, na A Gentil Carioca (Foto: Cortesia dos Artistas, A Gentil Carioca)<\/figcaption><\/figure>\n<p><strong>Alegria, alegria<br \/>\n<\/strong><span class=\"s2\">SOF\u00c1RAOK\u00ca (2015) \u00e9 um sof\u00e1 estampado com microfone e alto-falantes embutidos para que as pessoas possam soltar a voz como num <i>karaok\u00ea<\/i>. SALADA MISTA (2007) permite que pessoas e frutas se misturem livremente numa piscina. Parte do projeto Parede Gentil, da <\/span><span class=\"s3\">galeria A Gentil Carioca, que representa o coletivo, <\/span><span class=\"s2\">CHUVAVER\u00c3O (2014) foram cinco chuveiros para uso dos <\/span><span class=\"s1\">transeuntes, instalados temporariamente numa parede <\/span><span class=\"s2\">na <\/span><span class=\"s1\">esquina em frente \u00e0 galeria, relembrando as antigas <\/span><span class=\"s3\">fontes de \u00e1gua p\u00fablicas que havia na cidade.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Em TRANSPORTE COLETIVO (2010), fizeram circular pelo Centro do Rio de Janeiro numa Virada Cultural tr\u00eas \u201ctrenzinhos\u201d constitu\u00eddos de dez triciclos interconectados cada um, \u201cmovidos a for\u00e7a art\u00edstica\u201d. REMOTUPY (2016) \u00e9 uma canoa triciclo el\u00e9trico com remos de ponta emborrachada criada para \u201cnavegar no asfalto dos rios soterrados de S\u00e3o Paulo\u201d. TRANSN\u00d4MADES (2016) s\u00e3o carrinhos e carro\u00e7as de tra\u00e7\u00e3o humana adaptados como \u201cacampamentos transn\u00f4mades, que podem circular e se assentar em qualquer lugar\u201d nas ruas das cidades, ao sabor da vontade dos seus puxadores.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Como se v\u00ea, leveza, precariedade, improvisa\u00e7\u00e3o, informalidade, alegria de viver e hedonismo misturam-se na obra que frequentemente celebra a cultura popular e praieira carioca. \u201cOutra ideia que sempre queremos fazer presente \u00e9 a de Momento P\u00fablico\u201d, argumentam os artistas. \u201cOs espa\u00e7os p\u00fablicos de uma cidade s\u00e3o de fato p\u00fablicos? Usualmente s\u00e3o espa\u00e7os loteados, cerceados, controlados. O momento p\u00fablico busca instaurar, seja no espa\u00e7o p\u00fablico, seja numa institui\u00e7\u00e3o ou numa galeria, um espa\u00e7o de encontro e conv\u00edvio, de trocas de saberes e sabores, criado e constitu\u00eddo por quem o habita\u201d, defendem.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Como tomam as decis\u00f5es no processo de trabalho? Fazem vota\u00e7\u00e3o ou buscam consenso? Qual a tens\u00e3o que pode acontecer no processo? \u201cO coletivo s\u00f3 existe porque estamos nesse compromisso que envolve estarmos muitas horas juntos, como uma fam\u00edlia mesmo, n\u00e3o s\u00f3 nas viagens, mas no dia a dia das reuni\u00f5es para pensar, elaborar, trocar, rir e chorar\u201d, respondem. \u201cN\u00e3o trabalhamos com representa\u00e7\u00e3o nem com pap\u00e9is definidos ou hierarquias. As decis\u00f5es s\u00e3o tomadas sempre em conjunto, buscando, claro, um consenso, o que nem sempre \u00e9 poss\u00edvel, mas \u00e9 o grande desafio! <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Junto, sem d\u00favida, \u00e9 mais gostoso, n\u00e3o necessariamente mais f\u00e1cil, mas bem mais gostoso. Acreditamos muito no prazer e buscamos essencialmente fazer dos nossos encontros momentos prazerosos. \u00c9 importante tamb\u00e9m saber conviver com o dissenso, entender que as opini\u00f5es divergentes ou conflitantes devem ser ouvidas tanto na sociedade como um todo quanto no processo criativo. <\/span><span class=\"s2\">Conviver com a diferen\u00e7a \u00e9 o que nos move, n\u00e3o s\u00f3 internamente no coletivo, mas em rela\u00e7\u00e3o a toda a <\/span><span class=\"s1\">humanidade, e os nossos trabalhos prop\u00f5em um espa\u00e7o <\/span><span class=\"s2\">de encontro, conversas e trocas, entre todos sem <\/span><span class=\"s1\">distin\u00e7\u00e3o\u201d, dizem eles. Para corroborar o argumento, n\u00e3o s\u00f3 os transeuntes como tamb\u00e9m os moradores e as crian\u00e7as de rua participam de suas interven\u00e7\u00f5es urbanas.<\/span><\/p>\n<div id='gallery-2' class='gallery galleryid-28624 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/select.art.br\/opavivara-viva-o-hedonismo-carioca\/screen-shot-2019-07-10-at-10-51-57\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-57-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-28641\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-57-150x150.png 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-57-450x450.png 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-57-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-28641'>\n\t\t\t\tREDE SOCIAL (2017), do OPAVIVAR\u00c1! (Foto: Cortesia dos Artistas)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/select.art.br\/opavivara-viva-o-hedonismo-carioca\/screen-shot-2019-07-10-at-10-52-53\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-52-53-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-28646\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-52-53-150x150.png 150w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-52-53-450x450.png 450w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-52-53-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-28646'>\n\t\t\t\tPORNORAMA (2019), em individual hom\u00f4nima do coletivo na A Gentil Carioca (Foto: Cortesia dos Artistas, A Gentil Carioca)\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<figure id=\"attachment_28639\" aria-describedby=\"caption-attachment-28639\" style=\"width: 419px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-28639\" src=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-39.png\" alt=\"\" width=\"419\" height=\"629\" srcset=\"https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-39.png 551w, https:\/\/select.art.br\/wp-content\/uploads\/2019\/07\/screen-shot-2019-07-10-at-10-51-39-200x300.png 200w\" sizes=\"(max-width: 419px) 100vw, 419px\" \/><figcaption id=\"caption-attachment-28639\" class=\"wp-caption-text\">TRANSPORTE COLETIVO (2010), do OPAVIVAR\u00c1! (Foto: Cortesia dos Artistas)<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\"><strong>Agenda cheia<\/strong><br \/>\n\u201cDe alguns anos para c\u00e1, a <\/span><span class=\"s3\">parceria com A Gentil Carioca <\/span>permite a nossa inser\u00e7\u00e3o em <span class=\"s4\">feiras internacionais, onde <\/span>nossos trabalhos s\u00e3o mais vendidos do que no Brasil, a nossa casa, um lugar de cultura pulsante e diversa que nos inspira\u201d, dizem. \u201cOs convites para trabalhos comissionados tamb\u00e9m acabam acontecendo mais no exterior. No entanto, nossa a\u00e7\u00e3o no Brasil n\u00e3o cessa. Estamos sempre buscando locais e maneiras de trabalhar no nosso pa\u00eds, mesmo com todos os ataques e desmontes pelos quais a cultura vem passando nos \u00faltimos anos e, principalmente, no atual (des)governo. Acreditamos nas propostas de iniciativa independente e de espa\u00e7os alternativos e participamos com frequ\u00eancia de f\u00f3runs e debates no \u00e2mbito acad\u00eamico, atendendo muitas vezes a demandas de estudantes e pesquisadores que se interessam pelos nossos processos.\u201d<\/p>\n<p class=\"p1\">Depois da Art Dubai, o coletivo inaugurou em abril a exposi\u00e7\u00e3o PORNORAMA na Gentil Carioca, em cartaz at\u00e9 7\/6, com obras in\u00e9ditas feitas especialmente para a mostra. A partir de maio, participa da exposi\u00e7\u00e3o Vai e Vem, com curadoria de Raphael Fonseca, que vai itinerar pelos CCBBs de S\u00e3o Paulo, Bras\u00edlia e Rio de Janeiro. Estar\u00e3o ainda com projeto solo no p\u00e1tio do Palazzo Strozzi, em Floren\u00e7a, na coletiva Viv\u00eancias em Montbeliard, na Fran\u00e7a, far\u00e3o parte <span class=\"s1\">do f\u00f3rum internacional de coletivos em Estocolmo, e <\/span>participam de exposi\u00e7\u00e3o curada por Nicolas Bourriaud em Montpellier, tamb\u00e9m na Fran\u00e7a.<\/p>\n<p class=\"p1\"><span class=\"s1\">No segundo semestre, o OPAVIVAR\u00c1! estar\u00e1 no Fringe <\/span>Festival, em Dublin, far\u00e1 exposi\u00e7\u00f5es na galeria Magazzino, em Roma, e na Dunedin Public Art Gallery, na Nova Zel\u00e2ndia. E, finalmente, em dezembro, come\u00e7am as comemora\u00e7\u00f5es <span class=\"s4\">de 15 anos do coletivo com exposi\u00e7\u00e3o no MAC Niter\u00f3i.<br \/>\nO OPAVIVAR\u00c1! \u00e9 uma festa.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Humor, cultura popular, espa\u00e7o urbano, momento p\u00fablico e alegria de viver est\u00e3o na obra relacional do coletivo de artistas<\/p>\n","protected":false},"author":6,"featured_media":28628,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[12941,12920,12922],"tags":[2060,2964,2968,5212,7175,9145,9859,10609,360,11354,1295,11907,1516,11910],"autor":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>OPAVIVAR\u00c1! 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