{"id":3475,"date":"2014-02-18T20:13:06","date_gmt":"2014-02-18T23:13:06","guid":{"rendered":"http:\/\/cms.editora3.com.br\/select\/paisagens-do-fim-do-mundo\/"},"modified":"2022-12-09T00:00:56","modified_gmt":"2022-12-09T03:00:56","slug":"paisagens-do-fim-do-mundo","status":"publish","type":"post","link":"https:\/\/select.art.br\/paisagens-do-fim-do-mundo\/","title":{"rendered":"Paisagens do fim do mundo"},"content":{"rendered":"<p><sub>Galeria TATO apresenta a primeira individual do argentino Pablo Saborido em S\u00e3o Paulo<\/sub>\n<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.select.art.br\/wp-content\/uploads\/system\/images\/BAhbB1sHOgZmSSIqMjAxNC8wMi8xOC8xN18wNF8xMV83MjZfdGF0b19ib2R5LmpwZwY6BkVUWwg6BnA6CnRodW1iSSINNDUweDQ1MD4GOwZU\/tato_body.jpg\" title=\"Tato_body\" alt=\"Tato_body\" rel=\"450x450\" width=\"450\" height=\"359\" \/>\n<\/p>\n<p>Legenda:\u00a0Imagens de Pablo Saborido revelam paisagens desnaturalizadas da Patag\u00f4nia argentina<\/p>\n<p>O fot\u00f3grafo argentino <a href=\"http:\/\/pablosaborido.com\/\" title=\"http:\/\/pablosaborido.com\/\" target=\"_blank\" rel=\"noopener\">Pablo Saborido<\/a> \u00e9 conhecido aqui no Brasil em raz\u00e3o de seus editoriais de moda para revistas como TRIP, TPM, Serafina e outras. Mas \u00e9 pouco conhecido aqui o seu trabalho fotogr\u00e1fico na esfera da arte. No per\u00edodo de 22 de fevereiro a 22 de mar\u00e7o, a Galeria TATO recebe a exposi\u00e7\u00e3o <a href=\"http:\/\/pablosaborido.com\/projects\/paisajes-fin\/\" title=\"http:\/\/pablosaborido.com\/projects\/paisajes-fin\/\" target=\"_blank\" rel=\"noopener\">Paisagens Pr\u00f3ximas do Fim do Mundo<\/a>, uma s\u00e9rie realizada em 2009 na regi\u00e3o da Patag\u00f4nia argentina, especificamente em locais modificados pela explora\u00e7\u00e3o de petr\u00f3leo. <\/p>\n<p>Al\u00e9m do \u00f3bvio coment\u00e1rio ecol\u00f3gico, nota-se no ensaio fotogr\u00e1fico a aus\u00eancia de seres humanos, exatamente os que perpetram a altera\u00e7\u00e3o do cen\u00e1rio. Em tempos de cat\u00e1strofes ecol\u00f3gicas tal categoria de registro fotogr\u00e1fico ganha for\u00e7a. Veja, por exemplo, a <a href=\"http:\/\/www.theatlantic.com\/infocus\/2012\/03\/a-world-without-people\/100264\/\" title=\"http:\/\/www.theatlantic.com\/infocus\/2012\/03\/a-world-without-people\/100264\/\" target=\"_blank\" rel=\"noopener\">s\u00e9rie compilada pela revista The Atlantic<\/a>, com imagens de locais evacuados por raz\u00f5es naturais ou n\u00e3o. S\u00e3o zonas de acesso restrito ao redor de desastres nucleares, cidades arruinadas e bairros abandonados em raz\u00e3o da viol\u00eancia. <\/p>\n<p>Saborido procura seguir o receitu\u00e1rio. Faz um alerta e deixa claro as consequ\u00eancias nefastas da influ\u00eancia humana no funcionamento do planeta, a ponto de justificar a cria\u00e7\u00e3o, da parte da comunidade cient\u00edfica, de uma nova era geol\u00f3gica: o antropoceno. Mas o que o fot\u00f3grafo argentino tamb\u00e9m procura demonstrar \u00e9 a capacidade de auto-reconstru\u00e7\u00e3o da natureza devastada, no caso a regi\u00e3o em torno da cidade de Comodoro Rivadavia, conhecida como a capital argentina do petr\u00f3leo. \u00c9 uma s\u00e9rie potente, estranha, avassaladora.<\/p>\n<p><strong>Servi\u00e7o<\/strong>:<\/p>\n<p>Abertura: 22 de fevereiro de 2014, das 12h \u00e0s 16h.<\/p>\n<p>Per\u00edodo expositivo: 22\/02\/14 a 22\/03\/14<\/p>\n<p>Local:\u00a0Rua Mateus Grou, 576, Pinheiros, S\u00e3o Paulo, SP<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":15,"featured_media":3476,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[12923,12946],"tags":[],"autor":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.1 - 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