{"id":4293,"date":"2015-01-09T17:51:00","date_gmt":"2015-01-09T19:51:00","guid":{"rendered":"http:\/\/cms.editora3.com.br\/select\/arquiteturas-das-permanencias-e-destruicoes\/"},"modified":"2023-01-31T19:52:27","modified_gmt":"2023-01-31T22:52:27","slug":"arquiteturas-das-permanencias-e-destruicoes","status":"publish","type":"post","link":"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/","title":{"rendered":"Arquiteturas das perman\u00eancias e destrui\u00e7\u00f5es"},"content":{"rendered":"

No Rio de Janeiro, artistas criam obras para lugares p\u00fablicos, uma estamparia desativada e instala\u00e7\u00f5es de um antigo hotel hoje parcialmente ocupado por um col\u00e9gio<\/sub>\n<\/p>\n

\"Perm_body\"<\/p>\n

Legenda:\u00a0Pra\u00e7a XV, Centro, em cima do mergulh\u00e3o (foto: Divulga\u00e7\u00e3o)<\/p>\n

\u00c1reas urbanas em desuso e espa\u00e7os ociosos do Rio de Janeiro ser\u00e3o reconfigurados por dez artistas e um coletivo. Eles participam do projeto Perman\u00eancias e Destrui\u00e7\u00f5es<\/a>, que tem in\u00edcio hoje, dia 9, e prossegue at\u00e9 o dia 1\u00ba de fevereiro.\u00a0O projeto tem curadoria de Jo\u00e3o Paulo Quintella. <\/p>\n

Na lista de espa\u00e7os que receber\u00e3o as interfer\u00eancias site-specific<\/em> est\u00e3o a pra\u00e7a XV e o antigo Hotel Balne\u00e1rio Sete de Setembro, cujas instala\u00e7\u00f5es, na praia do Flamengo, est\u00e3o hoje parcialmente ocupadas pelo Col\u00e9gio Brasileiro de Altos Estudos.<\/p>\n

Na pra\u00e7a XV, por exemplo, Julio Parente e Pedro Varella v\u00e3o construir o Cota 10, um mirante com vista para o centro hist\u00f3rico e para a Ba\u00eda de Guanabara. A inten\u00e7\u00e3o do designer e do arquiteto \u00e9 devolver aos visitantes a paisagem que podia ser observada da antiga Perimetral, via que foi demolida entre 2013 e o ano passado.<\/p>\n

No antigo Hotel Balne\u00e1rio Sete de Setembro, Amalia Giacomini apresenta uma instala\u00e7\u00e3o feita a partir de fios e tramas que cruzam diversos c\u00f4modos e Floriano Romano utiliza cerca de quarenta caixas de som para reproduzir sons do pr\u00f3prio ambiente.<\/p>\n

No final de semana dos dias 24 e 25, Daniel de Paula e Lu\u00edsa N\u00f3brega criam instala\u00e7\u00f5es na Estamparia Metal\u00fargica Victoria. Fundada em Benfica, bairro central do Rio, no in\u00edcio da d\u00e9cada de 1930 a f\u00e1brica foi desativada nos anos 1970.<\/p>\n

Servi\u00e7o:<\/strong>\n<\/p>\n

09 a 11\/01<\/em>
\n
Na Pra\u00e7a XV (Centro)
– Cota 10 (Julio Parente e Pedro Varella) – sexta a domingo, das 7h \u00e0s 20h
– A\u00e7\u00e3o com Tijolos (Priscilla Fiszman e Kammal Jo\u00e3o) \u2013 sexta e s\u00e1bado, das 7h \u00e0s 15h<\/p>\n

17 a 30\/01<\/em>
\n
Hotel Balne\u00e1rio Sete de Setembro\/Col\u00e9gio Brasileiro de Altos Estudos (Flamengo)
– Amalia Giacomini e Floriano Romano e Mi\u00fada \u2013\u00a0de ter\u00e7a a domingo, das 11h \u00e0s 19h<\/p>\n

20 a 24\/01<\/em>
\n
Rua do Verde (Centro)
– Raquel Versieux \u2013\u00a0de ter\u00e7a a sexta, das 10h \u00e0s 18h, e s\u00e1bado, das 09h \u00e0s 12h<\/p>\n

24 e 25\/01<\/em>
\n
Estamparia Metal\u00fargica Victoria (Benfica)
– Daniel de Paula e Lu\u00edsa N\u00f3brega \u2013 s\u00e1bado e domingo, das 11h \u00e0s 19h<\/p>\n

31\/01 a 01\/02<\/em>
\n
Piscina do Edif\u00edcio Raposo Tavares (Santa Teresa)
– Pontogor \u2013 s\u00e1bado e domingo, das 14h \u00e0s 21h<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":15,"featured_media":4294,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[13255,12923],"tags":[],"autor":[],"acf":[],"yoast_head":"\nArquiteturas das perman\u00eancias e destrui\u00e7\u00f5es - Revista seLecT_ceLesTe<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arquiteturas das perman\u00eancias e destrui\u00e7\u00f5es - Revista seLecT_ceLesTe\" \/>\n<meta property=\"og:url\" content=\"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista seLecT_ceLesTe\" \/>\n<meta property=\"article:published_time\" content=\"2015-01-09T19:51:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-01-31T22:52:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/select.art.br\/wp-content\/uploads\/2015\/11\/perm_thumb.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"208\" \/>\n\t<meta property=\"og:image:height\" content=\"262\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"paula\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"paula\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/\",\"url\":\"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/\",\"name\":\"Arquiteturas das perman\u00eancias e destrui\u00e7\u00f5es - Revista seLecT_ceLesTe\",\"isPartOf\":{\"@id\":\"https:\/\/select.art.br\/#website\"},\"datePublished\":\"2015-01-09T19:51:00+00:00\",\"dateModified\":\"2023-01-31T22:52:27+00:00\",\"author\":{\"@id\":\"https:\/\/select.art.br\/#\/schema\/person\/940c2751a76274834257f002fdb9bf12\"},\"breadcrumb\":{\"@id\":\"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/select.art.br\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Arquiteturas das perman\u00eancias e destrui\u00e7\u00f5es\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/select.art.br\/#website\",\"url\":\"https:\/\/select.art.br\/\",\"name\":\"Revista seLecT_ceLesTe\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/select.art.br\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/select.art.br\/#\/schema\/person\/940c2751a76274834257f002fdb9bf12\",\"name\":\"paula\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/select.art.br\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/983030b4b68bb161016eb6e558279a44?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/983030b4b68bb161016eb6e558279a44?s=96&d=mm&r=g\",\"caption\":\"paula\"},\"url\":\"https:\/\/select.art.br\/author\/paula-2\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Arquiteturas das perman\u00eancias e destrui\u00e7\u00f5es - Revista seLecT_ceLesTe","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/","og_locale":"pt_BR","og_type":"article","og_title":"Arquiteturas das perman\u00eancias e destrui\u00e7\u00f5es - Revista seLecT_ceLesTe","og_url":"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/","og_site_name":"Revista seLecT_ceLesTe","article_published_time":"2015-01-09T19:51:00+00:00","article_modified_time":"2023-01-31T22:52:27+00:00","og_image":[{"width":208,"height":262,"url":"https:\/\/select.art.br\/wp-content\/uploads\/2015\/11\/perm_thumb.jpg","type":"image\/jpeg"}],"author":"paula","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"paula","Est. tempo de leitura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/","url":"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/","name":"Arquiteturas das perman\u00eancias e destrui\u00e7\u00f5es - Revista seLecT_ceLesTe","isPartOf":{"@id":"https:\/\/select.art.br\/#website"},"datePublished":"2015-01-09T19:51:00+00:00","dateModified":"2023-01-31T22:52:27+00:00","author":{"@id":"https:\/\/select.art.br\/#\/schema\/person\/940c2751a76274834257f002fdb9bf12"},"breadcrumb":{"@id":"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/select.art.br\/arquiteturas-das-permanencias-e-destruicoes\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/select.art.br\/"},{"@type":"ListItem","position":2,"name":"Arquiteturas das perman\u00eancias e destrui\u00e7\u00f5es"}]},{"@type":"WebSite","@id":"https:\/\/select.art.br\/#website","url":"https:\/\/select.art.br\/","name":"Revista seLecT_ceLesTe","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/select.art.br\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pt-BR"},{"@type":"Person","@id":"https:\/\/select.art.br\/#\/schema\/person\/940c2751a76274834257f002fdb9bf12","name":"paula","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/select.art.br\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/983030b4b68bb161016eb6e558279a44?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/983030b4b68bb161016eb6e558279a44?s=96&d=mm&r=g","caption":"paula"},"url":"https:\/\/select.art.br\/author\/paula-2\/"}]}},"_links":{"self":[{"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/posts\/4293"}],"collection":[{"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/comments?post=4293"}],"version-history":[{"count":1,"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/posts\/4293\/revisions"}],"predecessor-version":[{"id":60028,"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/posts\/4293\/revisions\/60028"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/media\/4294"}],"wp:attachment":[{"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/media?parent=4293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/categories?post=4293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/tags?post=4293"},{"taxonomy":"autor","embeddable":true,"href":"https:\/\/select.art.br\/wp-json\/wp\/v2\/autor?post=4293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}